Panning has always been one of the most important skills in motorsport photography, but it’s also one of the hardest to master. When I first started shooting trackside, I struggled with consistency. Some frames were sharp, others were soft, and sometimes the car was sharp but the wheels weren’t. I knew I needed a better […]
The OM System OM-3 is famous for its powerful in-body image stabilization (IBIS). On paper the numbers look extraordinary — up to 6.5 stops of stabilization, and even 7.5 stops with compatible Sync-IS lenses. But numbers don’t tell the whole story. Once you start using the camera seriously — especially for sports and panning photography
The OM-3 IBIS Secret: When Stabilization Helps — And When It Gets in the Way Read More »
“1/25 sec in the rain — letting the OM‑3 lock the Z4 while the world turns to motion.” Most photographers look at the OM SYSTEM OM‑3 and see a camera designed for street, travel, and landscape work. That’s how it’s positioned, and that’s how most reviewers talk about it. But after taking the OM‑3 trackside,
OM System OM-3 OM 40-150 f2.8 Pro 1/125 sec; f6.3, ISO 640 The sound arrives before the rider does — a tightening mechanical rhythm rising through the corner before colour and shape resolve into something defined. Motorsport photography is often described through extremes. Extreme speed. Extreme risk. Extreme shutter settings that look impressive written beneath
Mastering Motion with the OM-3: Why 1/125s Was the Right Choice Read More »